Wednesday, September 29, 2010

Album Review: Seas – Now My Home Is A Beech Tree

Seas, or SEAS depending on your affinity for caps, is the embodiment of a gorgeous sonic wonderland put forth into the realms of reality by Ben Green. Green, a resident of the greater DC megalopolis, has made a record that sounds absolutely nothing like the hustle and bustle of the powerful environs in which he lives. Instead, Now My Home Is A Beech Tree, the debut Seas record, sounds more like a stunning collection of escapist treasures, songs full of mountain mists and shimmering sunsets and perennial falls and springs. It’s not all about the power of escaping reality, however, as Seas finds loveliness in the sentiments of everyday mortals.

The first time I heard the record all the way through, I loved it. The second time through, well, as you might have guessed, I loved it even more. It begins with the transcendent “Narrows”, swirling around as it does, placid and tranquil and effortlessly beautiful. The haunting creep of “The Integral Accident” is terribly appealing, with more of Green’s gentle strumming and calm, steady vocals. “I know/you know/our fate is sealed,” Green sings, wondering, “What will happen when we’re gone” as a wash of melancholia grows behind him.

It’s impossible for me to pick a favorite song from
Now My Home Is A Beech Tree, though with some pressurizing I’ll admit that I’m somewhat partial to the breathless, heady sound of “Cusseta”. Something about that slow-motion, dream-sequence intro makes me think of Doves, which is always a grand thing. The beat of the drum is hypnotic, and Green’s voice lulls one into all sorts of fantastical imaginings. But then again, there’s all sorts of allure all over “The Buried Ranges”, Seas taking a more uptempo route while bemoaning being a “victim of history”.

It’s a cold, black heart indeed that doesn’t warm to
Now My Home Is A Beech Tree, ladies and gentlemen. What Green has created let no killjoy or crankypants tear asunder. In other words, might I suggest you get your paws on a copy of this here record, pronto-like? And there’s never been a better time, as Decoration Day is having a sale. And you can't beat that with a stick.

mp3: Valley Of The Fevers (Alternate) (Seas from Now My Home Is A Beech Tree)

Video Vixens: The Childishly Adult Version

i'm getting ready to call 2010 the Year of Porny Indie Music. Between covers like this to an ever increasing crop of nekkid music videos, seems like today's musician is all about the boobies. And i ain't mad atcha for that.

I could probably do an entire post just on what the Flaming Lips have been doing for their last few videos, but today, we'll just focus on their latest. Sure, the tingly bits are blurred, but i think we all get the idea. As if the giant vagina ball in the beginning wasn't going to tip you off in the first place.




mp3: See the Leaves (The Flaming Lips from Embryonic)

Proving that our Spanish brethren are every bit as weird as their US counterparts, i bring to you the latest from
El Guincho's Pop Negro. Entitled "Bombay," this one more than gives the Lips a run for their money. More weirdness AND more boobies!




mp3: Bombay (El Guincho from Pop Negro)

While this next one has bathing suit clad girls in swimming pools, i'm afraid you're going to have to dial back your nudie expectations for the latest from (The) Tony Castles. Of course, this arguably is the strongest groover of the bunch, so i suppose you'll survive.




mp3: Black Girls in Dresses ((The) Tony Castles from No Service)

Not to harsh your buzz, but here's another non-nekkid video, yet it still speaks to the Gen Xer in me. It's an homage to some of the greatest video games of the '80s, so you know we've got a winner here. When you start off with a nod to "Elevator Action," well, i'm hooked.


mp3: Who's That? Brooown! (Das Racist from Shut Up, Dude)

Admittedly, this last one has nothing to do with music videos, nor is it particularly adult-ish beyond the very odd boob infatuation, but, damnation, i lurvs me some Japanese TV, and the Ancient Dogoo Girl might just be my new fave character on the tube, now that i think about it. i can only hope that when i eventually have kids, they'll be treated to such fare as this.





mp3: Booby Trap (RZA from Digi Snacks)

mp3: Turning Japanese (Liz Phair from Juvenilia)

100 Shows of 2010 - #68: Blue Giant @ Iota, 9/23/10

It is perhaps one of the music fan's greatest fears. Band members of a band that you really, terribly love going off and getting all sideprojecty, with horrible results. However, not all sideprojects end in sonic catastrophe. Witnesseth one and all the glory of Blue Giant, the brainchild of Kevin & Anita Robinson, the purveyors of seriously splendid Left Coast tuneage in their vessel Viva Voce. But as we Geminis can attest, sometimes you just need a change. And the Robinsons branched out, opting for a bigger sound and a bigger band (hi, three extra members!). They landed at Iota one Thursday evening, sunshinery in tow as they opened for and then played backing band to Bobby Bare, Jr., and the whole thing was a delight from the word go.

MINI RECAP: Blue Giant = Blithely Great! Overall Score: B++

"Hi everybody," began Kevin Robinson, cheerful smile plastered under his beard, "we're Blue Giant from Portland, Oregon," proceeding thither to launch into the band's excellent set with the driving "Go On". Despite a slight imbalance in the sound (hello, slightly too much guitar), the song was mighty fine, in the vein of Viva Voce but with more emphasis on the song structure and the country meets pop of it all. The road-weary, boisterous stomp of "Wesley" was next, melodic and slightly torn and frayed.

"Target Heart" was a standout, lovely and dreamy with Kevin's voice emoting even more lovelorn plaintiveness than on record, and the lap steel adding immeasurable amounts of glorious wistfulness. For "Lonely Girl", Mrs. Robinson took her turn with lead vocals, singing with aplomb some modern day country gal blues. This is one impressive vocal couple, y'all. Quite possibly my favorite moment song-wise came when the band covered the classic Byrds song "I Wasn't Born To Follow". I thought instantly of Easy Rider, and motorcycle rides through a harsh, dusty desert. It got a little crazy up there with the rocking out, let me just say. O, the madcap instrumentalizationality of it!

And when I thought it couldn't get any better, they broke out with the irrepressible pair of "Run Rabbit Run" and "Blue Sunshine", the former jauntily hopping its way along the twangy path and the latter utterly impossible to ignore, what with all that mandolin madness going on. The set came to a close with the unexpectedly Beatles-esque "Clean The Clock", and I couldn't help but feel a little sad about the end of such a great set. Bobby Bare, Jr., was fantastic of course, but hells bells y'all. Blue Giant was nigh on stunning.

Sure, I was expecting nothing less than near-perfection, given how much I like Viva Voce and how good Viva Voce is live AND how good the Blue Giant record is (which, by the way, ought to be in your collection by now). But the band exceeded those lofty expectations of mine, bringing the mellowness of the West and some seriously sensational songs. It would behoove you, lovely loves of mine, to spend a little time warming your soul in front of the glowing embers of Blue Giant.

mp3: Blue Sunshine (Blue Giant from Blue Giant)

Tuesday, September 28, 2010

Sad News: Fr. Thomas Dubay

I have mentioned Fr. Thomas Dubay's publications a number of times on this blog, and they are in my recommended reading list. For me, his works have been my sanity checks and mainstay when it comes to dealing with the mystical experiences that have come my way. About two years ago, after a string of locutions and having just finished reading his book, Authenticity, I wrote to Fr. Thomas to tell him how helpful I had found that book (probably not one of his most popular because it is directed to those people who have experienced sound, voice, touch, and, as I have found over the past four years, they are not found in every pew in the church). I also told him of some of my experiences, of the details of my quest to determine their authenticity, and of some of my questions and concerns. I did not ask for a response and did not expect one. Nonetheless, a few weeks later, I received handwritten comments on my letter from Fr. Thomas, who apologized for the format but said that he had just arrived from another trip, was tired, and wanted nonetheless to respond to my note immediately. He told me that he thought that my experiences, as described, were likely authentic and why, commented on my comments, and suggested some answers to my questions. His letter gave me greater confidence in moving more deeply into contemplation and not pulling away from God at the most intimate moments.

Fr. Thomas passed away this weekend, and his passing feels like a personal loss. I will now treasure those handwritten notes even more. If you have not read Fr. Thomas's books, please find some time to do so. They are, for me, second only to The Cloud of Unknowing/The Book of Privy Counseling on the list of books to which I am addicted.

The following is from the Little Sisters of the Poor in Washington, D.C., who cared for Father Dubay during his final days; I have blatantly "stolen" (borrowed?) this information from his publisher and am certain that the publisher will be happy to have the word spread.
Rev Thomas Dubay, SM
RIP September 26, 2010

From Washington, DC:
This morning at 4:45, the Lord welcomed into His Kingdom Rev Thomas Dubay, SM, after suffering kidney failure and massive bleeding in the brain. Father’s frail health had been declining ever since his admission to the Little Sisters of the Poor home in Washington more than a year ago, but his suffering was even more noticeable in recent months. Despite this fact, Fr Dubay was just as witty as ever.

When Father’s superior, Fr. Bruce Lery, SM, called the Little Sisters on Sunday morning to tell them, he said, "We have a saint in heaven" –how true! Fr. Dubay was hospitalized about a month ago and then transferred to a rehabilitation facility for specialized treatments but his health was steadily declining. Yesterday he was re-admitted to the hospital with bleeding in the brain, and he was put in coronary intensive care. Although the ventilator was removed, he continued to breathe on his own.

Although he suffered from his loss of independence, he was happy to concelebrate Mass almost every day in the chapel of the Little Sisters Home in the shadow of the National Shrine of the Immaculate Conception in our nation’s capital.

The Marist priests and brothers visited him almost daily, and Father depended very much on his superior, Fr. Bruce, who was always there for him. In a few words, Fr. Dubay literally practiced what he preached! Father was happy to give weekly classes to the Little Sister postulants –classes which he enjoyed as much as they! From his room, Father continued his spiritual direction with many persons who called on him and this also was extended to letter writing.

We can render prayers of thanksgiving for the wonderful support Father gave to religious communities spending a good part of his life giving conferences and retreats. Although his preaching and spiritual direction was delivered to contemplative communities, his teaching was not for them alone. Religious the world over benefitted of his spiritual wisdom and guidance for years. He will be sorely missed. May he rest in peace after leading so many souls to true spiritual peace during his lifetime! The opening prayer of today’s liturgy says it all: “Help us hurry toward the Eternal Life you promise and come to share in the joys of your kingdom”.

For more about Fr. Dubay's writings and work, see his author page at Ignatius Insight.
My note: Many have said that Fr. Thomas Dubay is one of the greatest spiritual directors and writers of our day. I believe it.

Zut Alors!: Deer Tick To Auction Bus For Flood Relief

It is an unfortunate thing about life that we live on a planet that is extremely dramatic and changeable when it comes to climate and weather. Sometimes, weather wreaks havoc on small clusters of the world's population, and other times, well, things reach truly horrific levels. Such is the case in Pakistan, where flooding has impacted potentially tens of millions of people. Just think about that for a minute. Pretty ghastly, right?

If you've been wondering what you can do to make a difference and help out, well, here's an option. The kind souls in Deer Tick are auctioning off The Flagship, their 2009 touring vehicle, to raise money for flood relief. Visit this here link for further information about the auction, which will be ongoing for three weeks. You can also donate to Oxfam at the merch booth at all dates on the upcoming Deer Tick tour. It's a long tour, so plenty of chances to open up the wallets. So go on. Do a little something good for those who need help in ways most of us couldn't even imagine.

mp3: Piece By Piece, Frame By Frame (Deer Tick from The Black Dirt Sessions)

100 Shows of 2010 - #67: Those Darlins/The Strange Boys/Gentleman Jesse & His Men @ Black Cat, 9/15/10

I'm nearing the last leg of this 100 gig odyssey, and as you know I've been lucky enough to witness quite a few totally radical shows. A few have even been downright stellar. Number sixty seven was rather special, even compared with the other special ones, my little lambs. Not only was I once more in the presence of my esteemed partner in blogging, but also in the presence of not one, not even two, but three killer bands. Oh yes. I said three. Atlanta types Gentleman Jesse & His Men, Texans The Strange Boys, and the totally girlcrush-worthy Nashvillians Those Darlins (and their token dudes, of course, who are also crush-worthy). This show was so splendiforous, so dang rockin', that not even the totally weird, awkward vibe in the crowd (and it was decidedly weird) could ruin the amount of severely fierce rock that those ladies and gents put out. It took me days to recover, frankly. I was rocked out.

MINI RECAP: Gentleman Jesse & His Men = Yabba! The Strange Boys = Dabba! Those Darlins = Do! Overall Score: A

I missed, sadly, virtually all of the set belonging to Gentleman Jesse & His Men. However, the scant few songs I saw served as a hint of the sheer balls-out, sexy rock that these young men can put forth. I'd liken them to Rick Springfield (think "Jesse's Girl" but actually cool), with a big, catchy sound and plenty of cheekiness. Further investigation is definitely needed, but I was well impressed with what I witnessed.

The Strange Boys
followed, and it was during their set that the weirdness in the club began in earnest. There was a little bit of a disconnect between the crowd and the bands, though with The Strange Boys it extended to the staff, too, as they were ignored after requesting more lights so they could see the crowd's purty faces. Lighting aside, my (impatient) wait to see the band was rewarded with a delicious dose of retro-fitted rock and roll purity. The shambolic edge was present in spades, but so too was the polish that sets The Strange Boys apart from plenty of other soundalikes. I'm still counting my lucky stars to have heard my beloved "Night Might" and "Poem Party", along with "Nights In Paris", "Be Brave", and a heaping helping of other goodies. Their remarkable nonchalance about playing wowed me, as I've said before it's like they don't even try, and yet they are so very, very good at what they do. It's effortless, but with a little sneer. They shimmied and shook and rocked and rolled and by the time they were done, I loved them more than ever.

And then, to top it all off, came Those Darlins. These little ladies have beguiled the both of us here at LET, and having never seen them live before I was beyond excited. And these hot mamas most certainly did not disappoint. Oh no. I mean, any band that literally has the lights turned on to get them off the stage is impossible not to love, right? These gals were intent on causing a ruckus, and they did their due diligence. The set was soaked in sex and booze and rabble-rousing, and lordy me it was sensational. Their rocky twang was in fine form, pitting their trio of come-hither vocals with down and dirty rock, filthy hints of the blues, and a bit of Nashville for good measure. "Wild One" was the highlight of a thoroughly bitchin' set for me, being as it is one of my favorite songs these days. And hell, just cuz they're sweet don't mean they're always nice, you know. Even if they did bring Nikki's mom up onstage for a little tambourine playing. These girls are definitely whisky rock-a-rollers, to quoth my dear Skynyrd, and they rock harder than most bands around. Can't say enough good things about 'em.

I'll keep it brief. Go see these bands. End of story. Oh, and you're welcome.

mp3: Who's That Knockin At My Window (Daytrotter) (Those Darlins from Those Darlins)

Album Review: last day of summer by White Denim

i'm about a week late on this one, but i was working, so what can you do?

While in the studio working hard on their third LP, White Denim decided to put together a full, FREE* album for your listening pleasure. i've waxed rhapsodic about these boys in the past, and imagine i will do so again in the future. Often.

Entitled last day of summer, this time around, the vibe is a bit mellower than most of what Fits had to offer. Think a lot less "I Start to Run" and a lot more "Regina Holding Hands" on this one. Befitting the title, it's got those last sunny rays of summertime, an excellent send off before we get into the hard work of the coming winter months. The group continues to improve musically, showing off their instrumental chops on tracks like "incaviglia" and "light light light," but it's the slow risers like "champ" and the top tappers like "shy billy" that really get the juices flowing.

If their "hold-you-over-while-you-wait-for-the-next-full-length" is this good, thunderation, that LP is going to be incredible.



Monday, September 27, 2010

100 Shows of 2010 - #66: The Drums @ 9:30 Club, 9/12/10

We all know how much Sunday nights can totally suck. The weekend is inevitably coming to a close, the work week is about to begin...so Sunday evenings are oft spent on the couch, mourning the loss of two days of freedom while watching The Glades (hey, it works for me). But this particular Sunday, I decided it was time for some serious rock and roll. As luck would have it, The Drums was playing the 9:30 Club, and seemed well up to and equipped for the task of rocking me, baby. When I got home from their set it was a lot closer to Monday morning, but I was a whole lot less concerned. I went to sleep feeling totally and utterly rocked and rolled.

MINI RECAP: The Drums = Sasstacularly Spunky! Overall Score: B+++

I felt an instant affinity for these hyped-up New Yorkers, even before they played a note. Their look, and really, it is a pretty serious look, reeled me in. Think 1980s Smithsian, but whereas Morrissey and Marr wore their shades of gray on their sleeves, literally, The Drums opt for a bold and bright take on their retro love, which matches the overall vibe of their music. I was immediately aware of the serious stage presence of their frontman, the prancing and preening Jonathan Pierce, who sashayed splendidly around the stage for the duration of their set. Puritanical purists, avert thine eyes, but Pierce seems to me like some kinda Freddie Mercury/Ian Curtis hybrid, blending the peacock strut of Mercury with the empassioned twitching of Curtis. While the music of The Drums doesn't quite align with either band (especially the full-throttle bombastic operatics of Queen), the resemblance was, to me, uncanny. Throw in an ocassional vocal reference to Ian McCulloch, and you're getting warmer. And I found it all rather delightful, and impressive, when Pierce managed to wriggle out of his red satin bomber jacket without putting down the mic or even batting an eyelash.

Any band that cites Orange Juice as an influence wins favor from me, and the sound of the great Scots certainly permeates here (I'd also throw in a nod or two to that other band of amazing Scots, Josef K). The melodies and the arch poppiness of the rocking was drenched in Scottish (and English, too) shades, though Pierce's voice took things way over the top. In a good way, of course. The songs were hypnotic, and pretty much irresistible. Between Pierce's vocal antics and the lipstick gloss of the guitar to that machine gun drummery, it was a glorious little set. I'm not sure where this band has been all my life, but I'm glad they're here now.

I'd have to say my only real complaint about the set was that, well, it ended, and that at times the vocals seemed a wee bit muddy. But other than that, it just doesn't get much more entertaining, my little lovelies. Lucky for you, the band is still in the midst of a major US tour, and will be popping over to Europe in a few weeks to spread their love amongst the peoples of the EU. I seriously, forcefully, and earnestly encourage you to spend a night with The Drums. You won't be disappointed.


mp3: We Used To Wait (Arcade Fire Cover) (The Drums from BBC3 Session)

Beat Meet: The Back Up Edition

Can we get a round of applause for Ms. Megan's brilliant effort last week? While i was enjoying the 111 degree beauty of Phoenix and flying through thunderstorms with enough turbulence to have me grabbing the leg of a stranger sitting next to me (OK, she was a cute, blonde, Canadian nurse, but still), she was getting it done for you here at LET. At the very least, you should offer her a kiss on the cheek at the next show you see her attending. She likes that. Of course, who doesn't like getting kissed on the cheek? Nobody. Not even your grandfather.

The one good thing that came of my overly busy work week last week was the amount of time i spent on a plane. More specifically and importantly, the amount of time that afforded me to catch up on some excellent beat tapes making the rounds.

The kids over at the WEDIDIT Collective have been busy. Long timer Earnest Blount posted his work with yet another collective, this one called NOVA (i guess your collective needs to be in all caps to be taken seriously these days). The result is Illumination!, with contributions by Chris Adams and (waves:delicious), to name a few. The great thing about these groups/guys-who-get-together-to-assumedly-smoke-a-shitload-of-weed-and-play-beats is that each one has a distinct sound. These cats make music for long distance UFO runs between intergalactic convenience stores, particularly apropos if your alien captain has the munchies. Separately, WEDIDIT posted the latest from Juj, who may or may not actually be the guys in the collective itself. Regardless, the beats are fresh and crisp, not unlike good lettuce. And i'm talking romaine, motherfuckers. None of that cheap Iceberg shit here.



mp3: Manners (Juj from Slack)

In a world of beat production, crate diggers increasingly are getting left behind in the discussion of what's popping on the scene these days. Proving that Madlib isn't the only one out there making strides on the wheels of steel, Left Channel are back with a new one, Food and Entertainment. Sampling everything from old cartoons to "Waiting for Guffman," the boys continue to perfect their craft, building loopy beats for a madhouse world. Well done again, lads.



Who needs to have friends in a collective when you know the cats at the label? Svetlana Industries has dropped a new mixtape featuring such roster stars as Prohor and Teebs, all for the low, low price of whatever you feel like spending. You can't beat that with a stick, and these beats are bumping, so whether you go cheap bastard or Medici with your patronage, you're still not spending enough for what this beast is worth.

mp3: Eye 2 (Prohor from Come On Let's Go)


And finally, i've inadvertently been sitting on this one for a few weeks now, not entirely sure where to place it. Probably more trip-hop than anything else (think instrumental Zero 7), it's a haunting piece with underlying beat sensibilities. Perfect way to end the day, perfect way to end this post.

mp3: Cats in the Flat (Franklin from Wool Recordings)

Monday Morning Meditation #58: Let's Not Restrain Our Lips

This week I have once again continued on with the psalms and quickly came across a psalm, Psalm 40, that resonated with me. Those who have read my conversion story (which, ironically, I linked in yesterday's post, Spiritual Sunday) will understand the source of the resonance. Since the purpose of MMM is to share my reaction to what I read, not to explain the content in any kind of learned fashion (which is well beyond my set of competences, anyway), I am going to ignore much of the psalm, along with its intent, for I lament nothing about my life either as it is or as it was. So, I shall focus on the words that pulled me in, words that I am taking out of context but which have great meaning for me:
I have proclaimed the good news of righteousness
In the great assembly;
Indeed, I do not restrain my lips,
O LORD, You Yourself know.
I have not hidden
Your righteousness within my heart;
I have declared Your faithfulness and Your salvation;
I have not concealed Your lovingkindness and Your truth
From the great assembly.
Reading: Psalm 40

Meditation: As an extrovert, I have rarely restrained my lips even when perhaps I should. As an atheist, I was outspoken in my atheism. Once I came to faith, I became outspoken in my belief. The shock wave from my conversion rippled worldwide through the circles in which I traveled. It seems to be still rippling for once in a while I still get a letter from someone who knew me as an atheist and has heard my conversion story.

I have no idea who David's "great assembly" was. I do know who the "great assembly" is in my life, and that includes my place of work. Restraining my lips is required there for we adhere to separation of church and state. Nonetheless, there is a way of sharing God's loving kindness without words, with our behavior, which can be every bit as good as and perhaps even better than our words. "Preach the gospel always; when necessary, use words," a saying frequently attributed to St. Francis although some think it unlikely that it came from him and others mark its appearance as occurring two centuries after St. Francis died, is potent advice for it is often more powerful to demonstrate our faith than to express it. I have found that many understand the depth of my faith without my uttering a word, and so, in a sense, I have not restrained my lips -- and when they mention it, then I can freely speak.

As for the general community, if one were to consider that my "great assembly," then sharing God's love is one of my greatest pleasures. With that assembly, I do not "restrain my lips."

Regardless of which "assembly" I find myself, there is one characteristic that dominates. I cannot hide all that God does for me and for those around me on a daily basis, all that God means to me, and the love that flows in both directions. Can you?

Contemplation: That is far as I can go with you this Monday morning. I must retire to private prayer, repenting for times that I have restrained my lips when I should have spoken out with fervor. I will praise God for all that he has given me to share, thank him for the opportunities to do that, and ask for more opportunities and second chances to keep nothing hidden of His grace. Then I will move on to contemplation, my favorite part of the day, letting God take over the direction in which my relationship with Him moves.

I will leave you now to your prayer and contemplation. First, though, I would like to bring to your attention a Monday morning prayer post that you might enjoy:

Fr. Austin Fleming, priest of the Archdiocese of Boston and pastor in Concord, Massachusetts, posts a prayer each Monday morning that he calls "Monday Morning Offering." I enjoy his prayers very much. I hope you also will find them inspirational. He has graciously given me permission to include a link to his blog on my Monday Morning Meditation posts. (During the week, he also posts great homilies and other thoughtful discussions. I enjoy reading those, too.)


For additional inspiration throughout the week, I would point out two sets of blogs: (1) the list of devotional blogs on my sidebar and (2) my blogroll, where I am following a number of inspirational priests and writers about spiritual matters. I learn so very much from all these people. I highly recommend them to you.

Sunday, September 26, 2010

Spiritual Sunday #4: Conversion II

For more Spiritual Sunday posts, I recommend that you wander over to the website of Charlotte and Ginger, who host the Spiritual Sunday meme.

Because I do not blog on Sundays -- keeping it as the sabbath -- I use older posts (forgotten perhaps but hopefully still good enough) from one or another of my blogs that seem appropriate for this meme. Yes, I know I could post on Saturday instead, but typically I can pulled in too many other directions to post on Saturdays, or I have a post that has been written in advance and posts automatically on that day. In any event, it seems to work to bring out the older, but undated, posts that many have not read before.

Last week, I chose Conversion Journey (click on the post title to read it), which was one of my first posts on Blest Atheist, the forerunner of 100th Lamb and an outgrowth of my book, Blest Atheist. The abbreviated conversion story is available on one of my other blogs, Clan of Mahlou, and it seems fitting to link it in this week as a follow-up to last week although it is a bit long and was posted in three installments. A number of readers of both blogs, as well as those who have read my book, know the story, but for those who have not, here it is: My Conversion Story.

Saturday, September 25, 2010

Wish You Were Here #4: Blood Feathers




































Those Blood Feathers boys sure do get around, don't they? I guess it's what happens when you're out on tour. In any event, looks like they've been getting up to no good. I for one am looking forward to their Daytrotter session, not to mention the debauchery next time they swing back around DC.

mp3: Sugar In Bed (Blood Feathers from Goodness Gracious)

Ramble On #1: Walker Howle (Dead Confederate)

When I first met Walker Howle, Dead Confederate's imposingly tall and bountifully bearded axeman, I was told as a preface to have him tell me a story, since few people around can spin a yarn quite like Walker can. So ask for a story I did, of course, and so well-told and fantastic it was that I decided there was none better for this here new feature than Mr. Howle.

And now, without further ado, I hand it over to Walker.

TENDER HELL

The moon cast a glow that was pure hell....Man nor beast could come to terms with such a horrendous episode of visual interlude. Denny ripped not only his own arms off, but also the arms of the beautiful Miss Chaucey. They sat motionless in the horrible moonlight while the wild-eyed prairie hyenas drank from their shoulder holes....Meanwhile, on the other side of earth, Moyikami was getting married for the first time. It was an arranged marriage, and Moyikami felt quite lucky, seeing as how his wife to be was not only beautiful - but also a calm, thoughtful lady as well....Frank Stallone was the Monk that was to do the hitching....and Hitching He Did!.....Boy Howdy!

As an aside, if you're not already aware, the boys of Dead Confederate are currently touring their (amazing) new record, Sugar. They're here in DC Wednesday, so see y'all over at the Hotel for what promises to be a killer evening.

mp3: Run From The Gun (Dead Confederate from Sugar)

Friday, September 24, 2010

7 Quick Takes Friday #41

See more 7 Quick Takes Contributions at Jennifer Fulwiler's Conversion Diary.

1. It is hard to believe, as I sit here this Friday, writing about the week's events that just last Friday I was sitting in a cafe in Seoul with two of my senior managers and a Korean businessman who recognized my face from our organization's website and was a former colleague of one of my senior managers. We had some interesting things to eat, the names of which I don't even remember, but most of them were tasty. Then, I returned to our hotel while the other three (all men) went out to drink. (There are still some strong divisions between male and female activities there, and when abroad I don't vociferate for equality. Besides, I don't even like to drink. I can think of much better ways to waste money than in drinking and gambling.)

2. Saturday -- well, one of my Saturdays (I lived through two Saturdays because of crossing the international date line) -- I found myself back in the Asiana airlines lounge enroute home. I think, given my lifestyle, that it was quite appropriate that I was flying an OZ (the code for Asiana airlines) flight. The lounge had class, serving chicken terremec with coriander rice. On the flight out, I had bimbambap (shown in the picture on the right), a Korean dish that I like very much; the stewardess seemed surprised that I knew what it was. Donnie picked me up in Monterey at 3:30, two hours before I left Seoul. That was a strange feeling. So, here I was at 3:30 on Saturday, riding in the car back home from Monterey and sitting in the Incheon airport at the same time. This time travel is truly mind-boggling!

3. Sunday revealed the wonderful improvement in family togetherness that has been made possible in the wake of Doah's recent tribulations and his subsequent change in group home from a place far away in the Santa Clara/San Jose area to a group home quite near to us, one that did not exist just a few years ago when we were searching for a group home away from Salts, which had become a dangerous place to live. Doah called early in the morning and said that he wanted to go to Mass with me. Since he is only 15 minutes away now, I was able to run over and pick him and then bring him back. I even had time to get him back home before my SFO (secular Franciscan) meeting that afternoon up at the St. Francis Retreat Center, which is only five minutes from my house, just a short ride up one of the hills that surrounds our little town. How convenient some aspects of my life have become!

4. Monday I was back at work and Korea seemed thousands of miles away. Oh, yeah, it really is thousands of miles away. That evening, I attended our weekly prayer group meeting. My co-leader is a spiritual director, so he often comes up with interesting activities that help us focus on the content of our concluding prayers. (We usually start and end with prayer; sometimes we also sing, and I get to let my fingers pick up the hymns on the old piano, which is a delight since I don't have a piano at home. Thank goodness, I am good at sight reading, probably as a result of those times in childhood when I wanted my teacher to think I had practiced more than I really had, i.e. sight reading was a skill developed from necessity.) Monday's interesting evening activities came from Things Hidden (Richard Rohr), a book that we have been reading for the last few weeks. It is a rich read and cannot be fully appreciated in just one read-through. On Monday, we each took a different reference to God that Rohr presented in the book and applied it to our one life. The sharing was very revealing and created an equally rich discussion.

5. Tuesday was another difficult day. One of the supervisors did not renew the contract of a troublesome employee. In fact, this particular employee had been fired from another division, and we took him in because often we can turn difficult employees around. We have a reputation for doing that, and I think we can because all of the supervisors in my division are servant leaders. This guy, though, is not one our success stories. He was suspended last month for throwing a book at his boss. Things went further downhill after that, and the management in his department decided that they simply did not have the skills to integrate him successfully with non-temper-tantruming, non-book-throwing, compliant-and-supportive, team players. So, the supervisor did not renew his contract when it ran out this week. He came to see me to explain that America is a democracy and therefore he saw no reason to do anything his supervisor asked of him unless he personally wanted to do it. To expect him to do otherwise constituted maintaining a dictatorship, in which he was unwilling to live. He wanted his contract renewed and the condition given to him that he could do whatever he wanted on the job. Trying to explain hierarchy and team play to him, I felt like I was in an Alice-in-Wonderland world for he understood nothing of what I said. These situations are always sad. Clearly, there was a mismatch between our job requirements and his job needs. I wished him well in finding a job in which he could call all the shots; there are such jobs, but I don't know of any to which I could refer him. It was a sad and frustrating parting.

6. I was a very popular boss yesterday (Wednesday). Because I had just returned from Korea, I knew Wednesday was chusok, the full moon observance day, sort of like our Thanksgiving. Both Koreans and Chinese observe the holiday, so I let everyone who worked for me who wanted to observe the holiday leave an hour early. Of course, all the non-Asian employees wanted to help their counterparts observe the holiday (I expected that to be the case), so they all left early. One of the Iranian supervisors dropped into my office and told me that this is also an Iranian holiday, so I gave them permission to leave early, too -- he really laughed about that because it was clear from my e-message that everyone had the time off. Then, one of the Israeli supervisors dropped in to tell me that the day was also sucot in the Jewish tradition. How wonderful that I was able to scoop up so many nationalities with the same day, different holidays, time-off
gift!

7. Today (Thursday) catechism classes began again. Right before today's session started, I caught Fr. Ed to give him the birthday gift I brought back for him from Korea -- his name in Korean calligraphy on a small wall hanging. It was fun watching him open it because he is always delighted by gifts. When I tell him he is still a little boy, he agrees! Our class this year is a smaller group -- only 15. They are moderately quiet, which is a change from the rowdy class of last year, which, thinking about it, started out as quite quiet until we got them involved in active lessons. I suppose we will see the same transformation this year. I noticed that our atheist from last year did not return for second year confirmation, at least not tonight (the two groups, first-year and second-year, met together for part of the evening, so we got to see some of our former students). We had seen a spark of spiritual understanding near the end of the year in our little atheist, but the summer has intervened so I don't know where he is in his journey now. One thing I do know, though, is that wherever he is in that journey, whatever path he is on, God is with him, whether or not he knows that.

As the weekend approaches, we look forward to the arrival of Lizzie, who is coming home for the weekend to attend the wedding of a friend. She has not been here for two years, so it will be good to see her. Wishing all of you an equally exciting weekend.

Thursday, September 23, 2010

100 Shows of 2010 - #65: The Charlatans @ Black Cat, 9/9/10

Hello, my name is Megan, and I've been a Charlatans fan since 1996. For almost 15 long, happy years I have fiercely loved and been a staunch advocate for the five lovable Mancunians (ok, well, one of them is Irish, but that's splitting hairs, really), and their songs have meant more to me than most bands ever will. They are, realistically, as important to the annals of Britpop as any other band you can think of, if not moreso, because their songs still hold up well to this very day. If you're not already into them, I strongly suggest you stop reading this right now and go find an album to listen to. It's ok, I'll wait.

All set? Good. Now we can proceed. Despite my lengthy run of fangirlness, I'd only managed to see The Charlatans (or as they're sometimes called, The Charlies) twice, and neither time was here in DC. Go figure. My first Charlies show was in Atlanta, when I was 18. I borrowed a car and a friend and I drove from Tuscaloosa to Atlanta to see them (with The Dandy Warhols opening) at one hell of an amazing show. A couple of years later I had the chance to see the band in Newcastle (the one across the pond) with some friends, which was equally as amazing. But that was 2000, and it's now 2010. So you can imagine, friends, how very eager my eardrums were to once more hear the wonder that is The Charlatans. And the point of this rambling intro is that FINALLY they came back around for a show. And it was, you guessed it, amazing.

MINI RECAP: The Charlatans = Ageless Wonders! Overall Score: A

Ok, so perhaps I was gonna give my beloved Charlatans a top score regardless, but they really, really earned it, babies. They began with an incredible rendition of "Then", an oldie but most definitely a goodie. The jangle interspersed with a wee bit of darkness got the old blood pumping. And following it up with one of their biggest songs ever, "Weirdo", set the tone for an overall spectacular little set. I do have to make a confession, I haven't yet checked out the band's newest couple of records. I've been so enamored with their older stuff I just hadn't ventured over to their new stuff (I was fearing the Oasis problem, being older songs far trump newer songs). But based on what the boys stormed through at the show, I was just a little silly to have ignored their latest works. All the sound of The Charlatans is there, organ-infused with killer guitar and, of course, those Burgess-ian vocals. Oh, that voice.

The man behind the voice, Tim Burgess, was looking perhaps more like Mick Jagger than he ever has, lean and lanky and with a dark fringe that hid his intense eyes unless he brushed away the bangs. He shimmied and shuffled his way across the stage in his black wife-beater, eliciting coos from the ladies and shouts of encouragement from the lads. He looked, quite frankly, ageless. His interplay with the crowd and those impish grins did nothing to dispel the notion that he could be as young as you like. The band brought out some seriously big guns midway through the set, including a jaw-dropping version of "One To Another" (which, incidentally, includes another of my most favorite lyrics ever: "Be my Spiderwoman/I'll be your Spiderman"), "The Only One I Know", and "My Beautiful Friend", introduced charmingly by Tim as being "for our beautiful friends in DC."

More new songs filled the bulk of the set, it seemed, but we weren't deprived of the glory of older Charlatans for very long. Really old, really cheekily adorable "White Shirt" made an appearance, sounding as fresh as a daisy. "North Country Boy" really got the crowd's motor running, as it should, being such an anthem as it is. One of my favorite Charlies songs, the lazy daze of "Can't Get Out Of Bed", popped up in the encore, and the whole thing wound to a frenzy of a close with the classic "Sproston Green".

In closing, you might could say the third time was the charm. It was the smallest venue I'd ever seen The Charlatans in, and perhaps because it was ten years in the making, I found it the most enjoyable. The band looked beamingly happy to be playing for us, and we the crowd were as beamingly happy to have them play. It was a lovefest. I might be doing some major gushing here, but y'all, this is one of a handful of bands that has meant more to me than I can ever hope to express. If you don't ever listen to another word I say, well, I hope you'll make friends with The Charlatans. They're truly in a class by themselves.

mp3: Then (The Charlatans from Some Friendly)

mp3: Can't Get Out Of Bed (The Charlatans from Up To Our Hips)

(We also wish drummer Jon Brookes a speedy recovery from what ails him! Get well soon, JB)

Wednesday, September 22, 2010

Wish You Were Here #3: Blood Feathers


































Seriously, y'all, have you added a little Blood Feathers to your life yet???? Because, in addition to being seriously killer on record, and quite possibly even better in the flesh, they're super, super nice dudes. And who doesn't love nice dudes? Well, actually, some of us tend to run away from nice boys and go for the baddest of the bad boys, but that's neither here nor there. The point here is that Blood Feathers is a fantastic band. And you should obviously love them. That is all.

mp3: The Same Mad Part (Blood Feathers from Goodness Gracious)

100 Shows of 2010 - #64: Dreamend @ DC9, 9/9/10

Man alive, we Terribles sure have been hitting a lot of shows together lately. I assure you, friends, this doesn't usually happen, and I have rather enjoyed this spate of quality time with my dear better blogging half. On yet another of our evenings together, we found ourselves being Terrible at DC9 (well, before I had to split to head to another show!). I did, however, manage to enjoy quite a delightful set by Dreamend, otherwise known as the brainchild of Ryan from Graveface (and Black Moth Super Rainbow). I'd heard scant little of Dreamend before this show (and managed to miss Ryan when he blew threw town months back with The Appleseed Cast), but hot damn if I wasn't totally swept off my feet! The songs might not sound as they do on record, but being a Gemini I appreciate a little of the musical schizophrenia. And when it sounds this good, well, who cares if the vibe is totally different. I sure don't.

MINI RECAP: Dreamend = Sassily Schizo! Overall Score: B+

My enjoyment began pretty much right after the dynamic duo (much like myself and Chris, obviously) stepped onto the stage. I immediately fell in smit with the live incarnation of Dreamend, all gorgeously ethereal ramblings with guitar and drums. I got a kind of Mogwai vibe, when the noisy Scots tread more delicately and not so destructively (think "New Paths to Helicon 1" etc.). And just as with Mogwai, the boys of Dreamend can get pretty dang aggro in a snap. But how cute was that little cartoon of those be-toga'd Romans (or Greeks, it's all in the interpretation)? Ryan was almost hiding behind his oversized hoodie and some equipment, letting the fuzz (and sometimes his lovely voice) let his presence be known. Pavement also sprang to my mind on certain songs, and when you remind a gal of Pavement and Mogwai in one set, well, you're doing mighty fine. Even more amazing were the shades of my beloved, dearly departed Brits Six By Seven (if you don't know of them, well, check out the brilliant song "European Me", because I heard a lot of it sprinkled hither and thither in this set). It only took about two songs to make me verily distressed to have missed the set back in April. But better late than never, so the saying goes.

A lot of two-person bands tend to throw their hats into the garage ring, but Dreamend waves the flag for fuzzodistortonoisiness, and I find that incredibly fantastic. The band also racked up major points for penning one of my favorite lyrics of the year, with the assertion, "I know just who you think you are". Classic. Dreamend was solid from start to finish, creating a glorious, enchanting dreamscape only to have it grounded by Ryan's perfectly imperfect voice and a swell of gigantic waves of sound. Totally, utterly bitchin.

I wasn't quite sure what to expect from the set, but lo and behold, Dreamend sunk my battleship. If you get the chance, go check 'em out for damn sure. Don't sleep on this band, or you might just be sorry.

mp3: Magnesium Light (Dreamend from So I Ate Myself, Bite By Bite)


Tuesday, September 21, 2010

The Wonder of Nothing

Justine Buisson, in a chapter called, "The Gifts of Andrew" (in Rohr, Grace in Action), describes how the devastation wreaked on Miami by Hurricane Andrew brought the unlikeliest of comrades together as they shared the few supplies of water, food, and batteries that were available.

Her tale reminded me of the every-month-or-so neighborhood party in Amman, Jordan. In Jordanian apartment buildings, one family lives on each floor. Usually, the families living on each floor are related to the other families in the building (fathers, brothers, sons). However, that was not so in our case. Donnie and I, Americans, lived on the top floor. The Arafats, Palestinians, lived on the second floor, and Abu Yelez, with his family, lived on the first floor. Over time, we all got to know each other pretty well, sort of becoming like a family, bonded by our building.

Now, the building had help in fostering our bonding by the city of Amman. Periodically, especially frequently during the hot summer months when everyone is trying to run air conditioners and fans (fans were my preference), the city experiences brown-outs. So, with nothing else to do and having no light inside, the Mahlous, Arafats, and the parents and siblings of Yelez (who, himself, had emigrated to Chicago) gathered on the small square of lawn in the front of our apartment building and passed the time of day for minutes, sometimes hours. Om Yelez, living on the first floor where things were retrievable by candlelight, would bring out drinks and snacks, typically dates or figs and limonad bi nana (mint lemonade), and we would sit quietly munching. There is nothing like building camaraderie than quiet munching -- doing nothing together, sometimes even saying nothing together, just being together. Enjoying the wonder of nothing.

Then the lights would come back on. We would say our good-byes to Abu and Om Yelez and climb the stairs together with the Arafats, saying good-bye to them at their door, and continuing on up the additional two flights to our apartment. It was always easy to fall asleep after that. We were already in a relaxed state from an evening of nothing.

We came to appreciate the bonding power of nothing when Abu Yelez became quite ill near the end of our days in Amman. Om Yelez worried about him and took care of him in the special way that Arab wives take care of their husbands. One day when I was out of town, doing some consulting in Bahrain, Om Yelez died. Yes, that is correct; the healthy wife, not the ill husband, died. Om Yelez, it turns out, had a heart problem about which we had not known. The shock reverberated all the way from Amman to Manama. I could not return, though, in time for the sitting. When I did get back, I apologized to Abu Yelez and the unmarried adult children still living at home -- an Arab custom, as well -- for missing the sitting. Sami, the only son among them, replied, "We understand. We know you loved Mom, too, and would have been here if you could."

Barely a month later, Abu Yelez died. This was not unexpected, but it was still sad. It felt like our family was falling apart, our family that had bonded by doing nothing.

This time I went to the sitting. In the Arab world, the men sit at a different time from the women. Donnie went down and spent part of the male sitting day with Sami and his male relatives and friends.

Then I went down to the first floor and sat with Lana, Maha, and the female relatives and friends. I took my turn at silent reading one of the suras (books/chapters) from the Qu'ran; of course, I did not place it back into the case with the other suras, having learned from other sittings that my Arabic, especially classical Arabic, was not sufficiently good for anyone to have considered that my reading of the sura constituted it having been read. Sure enough, someone else picked it up after me, read it through, and put it back into the case.

As the sun faded and the day waned, the remaining handful of women began to depart as a group as a caterer brought in supper. I stood up to leave with them.

"Where are you going?" asked Maha.

"Upstairs," I replied, "so that your family can have time to yourselves for dinner." This was, I knew by then, in accordance with Arab culture.

Maha, however, looked at me a bit stricken and protested, "But you are family. Please stay." I did.

That is when I knew that we belonged in Jordan, that we were no longer outsiders. We had a family, and it was all thanks to the wonder of nothing.

(Photo: Our neighborhood in Jordan, taken from our third-floor apartment window.)

Happy Birthday, Leonard

There are few people in life who have true Voices. When they sing, they don't merely sing. Something happens when they open their mouths, not just song but experience. There will be those who say that Ole Blue Eyes had one great Voice (personally, I prefer Dino). Some might say Janis was one such Voice. For me, it's Mick Jagger. Well, and this man. Where Mick is the sound of hot, unadulterated sex, Leonard Cohen is the other end of the spectrum, the sound of pure, blissful, agony. His songs can pull you apart, so painfully honest and bare as they are. His are songs of Blake-ian innocence and experience, wry and world-weary, and yet effortlessly and unendingly beautiful. Many of them can and frequently do make me cry.

It just so happens to be the birthday of Mister Cohen. So sit yourself in a dimly-lit corner, pop open a bottle of your finest red, and take comfort in his woebegone splendor.

mp3: Famous Blue Raincoat (Leonard Cohen from Songs Of Love And Hate)

100 Shows of 2010 - #63: Best Coast/Cults @ Rock'n'Roll Hotel, 9/8/10

In which your two favorite Terribles set out once more on a playdate, and end up witnessing an abundance of the following: LOTS of hair, lots of rock, and lots of sweltering heat. Undoubtedly, Cults and Best Coast brought most of the first two, and while they definitely brought a whole lotta hotness, I think the cramped quarters can be blamed on the latter. To quote my beloved partner, by the time the show was over, things were smelling a "little ripe" up in the Hotel. Chris has brought up the issues with this particular show already (bad lighting, bad smells, bad sound), so I'll nod in agreement and skip on over to the gushing. And...go!

MINI RECAP: Cults = Cultishly Captivating! Best Coast = Bestest Coastest! Overall Score: B+

I've decided that Cults, awesome band #1 of the evening, has more hair on their collective head than any band I've ever seen, outside of the Richmond metal scene, that is. I dug them lots and lots, finding their boy-girl vocals delightful, with the grounded boy balancing the spritely, somewhat ethereal lady. Very jaunty, very shimmering, with a hearty dose of lollipops and candy drops. Yes, I said it. "The Curse" was a favorite of mine, a spooky little song sung by a spooky little girl. 'Twas very nice indeed, as was their entire set. I found their sound to be very appealing, and when I heard a xylophone, well, be it programmed into the keys or no, it earned my eternal love and devotion for Cults. In the end, they left me wanting more, and I guess that's precisely what you're supposed to do, eh? Leave us starry-eyed and clamoring for more?

So then, after some pungent downtime, it was Best Coast's time to shine. Which I'm sure they did, we just couldn't see it thanks to the pretty bad lighting going on at the Hotel. But thankfully, Best Coast could be heard. And that was very, very good because I loved them. Loved, loved, loved. Basically, I'm already predisposed to like bands that do some serious California dreaming, and if you throw in that retro surf thing I'm yours for life. Bethany and Bobb totally rocked my world, with their combustion of lo-fi fuzziness swapping spit with upbeat jauntitude. Those are definitely some great tastes that taste great together! Bethany has quite a strong, sassy voice on her, though she keeps it sweet and girlie, too. The venue's sonic shortcomings somehow worked for the band, in my opinion, adding to their fuzztastic noisiness. Kinda like, at times, throwing girl group songs into a blender with My Bloody Valentine and a Beach Boy or two. Which, as I'm sure you'll agree, sounds pretty darned fantastic. I like to think of bands like Best Coast (and Cults) as a sort of popgaze, where you can close your eyes and see home movies of summertime picnics and afternoons in aging houses, soundtracked by this most splendid post-shoegaze poptasticness. Well, I thought it was poppy. My partner might disagree, but maybe he just couldn't hear it (wink wink nudge nudge).

In short, venue issues aside, this was another one of those well-planned bills. Cults and Best Coast were purrfect together. It was all sorts of ramalamadingdong, y'all. I look forward to seeing both of these bands again soon. Just perhaps not in summertime.

mp3: Boyfriend (Best Coast from Crazy For You)