Showing posts with label The Morning Benders. Show all posts
Showing posts with label The Morning Benders. Show all posts

Wednesday, February 16, 2011

Megan's Top 70 of 2010: #31 - The Morning Benders

Why I Decree it to Be So:

I love pretty much just about everything about Big Echo. No lie, my friends. The Morning Benders hit it out of that proverbial park, got a hole-in-one, and got themselves the winning buzzer-beater or whatever little sporty metaphor tickles your fancy. Big Echo is bucolically beautiful, robust and sunbursting, an homage to the beachtastic 60s and the glammiest of 70s in equal, and equally-pleasing measure. Christopher Chu's vocals are simply lovely, and oh-so beach ready, and the whole record elicits plenty of California daydreamin. It's idyllic and poppily pastoral and just plain gorgeous. Buy it immediately.

mp3: Excuses (The Morning Benders from Big Echo)

Monday, November 22, 2010

Free Music Friday--The Monday After the Fact Edition

What with it most likely being a short week here at LET this week (gobble, gobble, kids), i decided that if i let last week's Free Music Friday slip by, it probably would be at least another week before i got one done. Since nobody wanted that to happen, here we are with The Monday After the Fact Edition.

Validating our continuing love of all things Swedish, jj dropped a couple of freebie tracks last week, now with sample-y goodness from the xx and Akon!



With his ninth solo joint, The Apollo Kids, hitting shelves December 14, Ghostface Killah decides to show you what he's got on the first single, "Together Baby." With a soulful sample on the hook, GK continues to slaughter on this one.


Continuing their tradition of unearthing seldom heard gems, Light in the Attic knocks another one out of the park with Jim Sullivan's U.F.O. Utilizing the legendary Wrecking Crew as his backing band, the artist is shrouded in mystery. For our purposes, though, the sumbitch could write a mean pysch-folk-rock tune, and that's really all we care about here.


Katy Goodman must have decided two bands simply were not enough, with the Vivian Girls / All Saints Day member dropping a new one as La Sera. First single, "Never Come Around," shares the same dream-pop vision as her trio, but without the wall of fuzz. Quite frankly, a welcome change of pace to my ears.


And to send you on your merry way, the Golden Filter remix of the Morning Benders' "Excuses" (incidentally, my favorite track on their Big Echo). Now with more dance floor-y-ness!

Wednesday, September 15, 2010

Mixtape Love Across the Board

The term "mixtape" is misleading these days. For all practical purposes, the term has become interchangeable with "non-studio release album," more often than not put out by hip hop artists . Of course, the original was far more meaningful. Gather round, children, while your Uncle Terrible relates how it was back in the day, before mp3s and iPods, when if you wanted to listen to a bunch of your favorite tracks in a row, you had to fucking make an LP yourself, for all practical purposes.

Fuck that, you don't care, and i don't feel like explaining to those of you who weren't there anyway. It's already been proven that i'm the master at the old skool version of said mixtapes, and that's enough. Fortunately, though, today we have examples of both, so listen up and take notes. There will be a blue book quiz later.

Straight out of the OFWGKTA camp, Domo Genesis just dropped Rolling Papers. Featuring more incredible production by Tyler, the Creator (who, along with his co-conspirators from OFWGKTA, shares some guest rap duties), these kids are the next wave, i tell you what. This one is a slight departure from their usual, "don't call us horrorcore," violent fare by focusing far more on the most glorious of weeds, as the title suggests. Good call, that.



Remember when i posted that Andreya Triana mix the other day? Well, turns out the DJ in charge also records under the Bobby Quine Experiment moniker, and turns out some nice, chilled instrumentals in the process. His Lucid Dreams EP is "inspired by" the movie "Inception." Pretty decent flick, but this is a far less confusing way to spend your time.


The Morning Benders must be a lot older than i thought they were when i saw them open for the Black Keys a while back. Either that, or there must be some older siblings related to that band, as they've just dropped their second mixtape. No, not like their past covers album, but an honest-to-Dolemite, old skool, half-hour mix of what i'm guessing are some of lead singer Chris Chu's favorites these days, ranging from Nino Rota to Harry Nilsson, with a Paul McCartney cover by the MB themselves to keep things going. In Chu's words, "I think it's more of an Autumn mix this time." Regardless, it's a groover.

mp3: Echomix2 (The Morning Benders from ECHOMIXES Series)

Tuesday, July 27, 2010

Live Review: The Black Keys at DAR Constitution, 7-26-10

i'm beginning to think the Black Keys are incapable of putting on a bad show. i've seen Dan Auerbach tear it up solo apparently while suffering from the flu, and while last night may not have been my favorite time seeing them, to claim the boys were in less than their usual rarefied air would simply be untrue.

It might have had something to do with the fact that my ass hat of a brother who i also bought tickets for showed up almost half an hour late, or it may have just been the fact that i'm not a huge fan of DAR, but i couldn't quite get into the swing of things last night.

It certainly wasn't openers The Morning Benders. While my knowledge of them is largely limited to that cover CD they put out a couple of years ago, they certainly performed admirably. While they seemed somewhat mismatched with the harder sounding Keys at first, by the time they closed with "Excuses," damn near the entire house at that point (let's say just over half full) gave them a standing ovation, myself included.

Maybe i was thrown by the fact that Patrick Carney didn't wear glasses for the entire set, a first for me, and i've seen them at least a half dozen or so times already. i'm not sure how this is possible, but the heir apparent to John Bonham's frenzied style of playing appeared somehow even angrier than usual, beating the skins with a renewed passion one does not typically see outside of long-term, abusive relationships of the type found on "Cops" reruns. His drumming, however, remained flawless. The same should be said of Auerbach's guitar work, if anything better than the last couple of times i've seen him play solo. The song selection wasn't bad, either. Once they got "Stack Shot Billy" and "10 a.m. Automatic" out of the way, they pretty much covered my bases. More than half the show was dedicated to their earlier CDs, though they did bring out a bassists and keyboardist (another first for me seeing them), which wasn't a half bad affair at all, to help with their newer material. i'm not sure they added a whole hell of a lot, but they certainly didn't detract in the least. From the new CD, they played my faves again, ("Everlasting Light," "Next Girl," "Tighten Up," "Howlin' for You"), so it couldn't have been that, either. They did play their Twilight track, and while a kick-ass tune, teenage vampires do piss me off something fierce.

i dunno. Maybe my shoes were too tight, because upon further review, they obviously rocked last night.

Never mind. These are not the droids you're looking for. Move along; move along.